Content marketing. It’s not a term most writers are familiar with, likely because anything with the term ‘marketing’ in it makes us want to run away and cower in the safety of our tried and trusty pens and pads.
Besides, we are writers. We want to create art. Why do we need to do any of that business stuff? Writers write. Right?
Well. In case you haven’t heard, publishing is a business. Most authors (and publishers) want to actually, you know, sell books and shit. See their books in a bookstore. Sit on Oprah’s couch. Come on, you know you’ve had those dreams. We all have. How are you going to get there if readers don’t know about your work? You guessed it: marketing.
There are many, many aspects of book marketing, of course, which I discuss here in my blog posts, my book The BadRedhead 30-Day Book Marketing Challenge, weekly on #BookMarketingChat (every Wednesday on Twitter at 6pm pst/9pm est), and across my various social media channels, articles on various online publications, and guest posts. I also recommend reading the outstanding work of Aaron Orendorff (my most recent #BookMarketingChat guest), Joanna Penn, and Jane Friedman. All are amazing.
In my almost ten years in this industry, I’ve found writers typically fall into three categories:
There are pros and cons to each of these categories, and content marketing can fit within each. Let’s deconstruct.
First, let’s discuss content marketing. What is it and why does it matter for authors? Here’s a great definition:
At its root, content marketing boils down to sharing real solutions to real problems for real people – and doing it for free ~ Aaron Orendorff
Content takes many forms, such as social media posts, sharing articles of interest, promotions, email marketing, books, courses, webinars, podcasts, and blogging. Ask yourself: how will this help my reader?
That’s the basic concept of content marketing. It’s not about YOU, it’s about THEM. Sure, from a self-centered perspective, we think our books will help or be of benefit to everyone (regardless of genre) — which often leads to “Buy my book!” spamming, unfortunately. But remember, everyone is not your demographic. What to do?
“I just want to write. Marketing is stupid and I refuse to do it. Besides, don’t publishers do that stuff anyway? I’ll leave it to them.
We are creatives, and we pour our heart and soul into creating our book, making it the absolute best it can be (and if you haven’t, go back and start over). Of course, we want to share it and let the world know about it, right? Not so fast.
The non-marketer will fight you on this concept with their entire being. They will insist:
(writers tell me all of the above daily, even those who aren’t published).
Many (who have the dough) will pay someone to set up a beautiful website, pay thousands for gorgeous covers, even hire top NYC PR firms to arrange book tours and signings, and maybe even pay someone like me to set up their social media accounts, then refuse to do anything beyond that. Their platform languishes, then dies. So do their sales.
I hear and see this daily from authors, publishers, and even clients. As a marketer, going on almost gosh, thirty years now (starting in Big Pharma back in 1987), I cannot comprehend this passivity. You have a product, you market the product. You have a book, you market the book.
But hey, sometimes it’s not simply about passivity, it’s about a lack of marketing knowledge, understanding of the publishing industry, real life, health issues, desire, and let’s face it, time. Not everyone is able to go full commit to the business of BEING AN AUTHOR beyond writing, and it is what it is. Beyond that, many writers are unconvinced that having a robust author platform works for book sales (I’m not sure they’ve done much research into this, but that’s another post).
In fact, a few authors have downright confronted me, demanding I prove to them with hard data that ‘this many Twitter followers’ will result in ‘this many book sales.’ Yea, it doesn’t work that way.
Pro: This type of writer is typically fairly prolific since they can’t be bothered to interact or focus on readers or marketing. Their goal is strictly writing and writing only. The work is the thing and the only thing.
Con: Lack of a dedicated fan base, SEO and visibility, and any real connection to readers.
Sharing articles, guest posts, blogs, etc., mixed in with occasional, and not exclusively, book promotions show your readers that you are interested in them, and in something besides blasting “Buy my book!” tweets and posts. It’s not all about you, all the time.
Tip: Take advantage of memes like #MondayBlogs and #ThursdayWrites on Twitter to share not only your own blog posts and guest articles but others’ as well. This means you’re not sharing book promotion, it’s not exclusively ‘all about you,’ and you’re helping others, too. AND, you can schedule those posts by using the social media management tools mentioned above.
“I know I need to market but it’s so overwhelming, I don’t know where to start. I have Facebook. Does that count?”
This is the majority of writers, either pre or post-release. They understand the need to market their books but aren’t sure how, or when, to start. They likely have:
These are not criticisms. With the exception of diving into Twitter back in 2009, I was pretty much the same. We all learn as we go. Besides teaching, the highest form of learning is doing. This is why I started this blog, my business, and wrote my 30-Day Book Marketing Challenge and sell it for five bucks — to help authors learn all this stuff quickly and practically as they do it themselves.
Pro: This type of author is willing and able to learn, which is great! I love working with this author. They see the benefit of developing an author platform, and how content marketing is a crucial part of connecting with readers. This author needs to start slow and go slow. Like any adult learner, they must see the benefit and the payoff of the activity involved or they’ll bail.
The other crucial component here is to understand that it’s not what they, the author, are most comfortable doing, but discovering where their readers are and connecting with them there, e.g., if their demographic skews younger, then Instagram and Pinterest are probably a better use of their time than Facebook.
Con: This author tends to stay where they are comfortable. Change is scary. Facebook is easy, so that’s where most authors congregate. Unfortunately, most authors are chatting with other authors on Facebook — how many other authors are truly your demographic? (Real-Life Example: In my case, they’re a good portion because authors are my demographic for my 30-Day Book Series; not so much for my Broken Series, where I focus more on connecting with survivors and women).
“I’m all over this marketing thing! I have accounts everywhere and talk to everyone. Woohoo!”
This author is the social butterfly of the publishing world — pretty much everywhere. They interact, they’re generous, and fun to be around. What’s not to like?
The problem here is a distinct lack of focus. They might be on each social channel, chatting away, twittering away their days, commenting on everyone’s Facebook walls, networking like crazy, blogging occasionally, maybe jumping into a promotion here and there and ooh, signing up for that newsletter thingy…but, what is their goal?
In truth, they probably don’t know. Why? Because they have no plan. They’re just out there having fun! And that’s cool. Some people fall into social media and building relationships by the seat of their pants and their charming personality. Some people just have that It Factor. We know it when we see it, and we fall under their spell. They are great writers and one interaction with them and BAM! We scramble to click on their book link and buy their books.
How often does that happen, though? For me, that’s pretty rare.
Pro: This author is easy to find, social, and attracts attention easily. Readers want to learn more about them in an organic way based simply on their manner and interactions.
Con: They usually don’t write a lot, and are banking on one or maybe two books for their windfall. Their branding can be inconsistent, they don’t follow a set posting schedule on social media or blogging, which makes it difficult to plan promotions or participation in blog memes. Content marketing goes out the window because it’s haphazard at best.
Changing our paradigm from “I just want to write,” is hard. I get it. If you don’t care if anyone reads your books, cool. For many writers, it’s not about money, or about being read, it’s the amazing experience of writing and creating — which is pretty damn awesome. If, however, you want people to read your work, you want to bond with people over shared experiences, you want to make some bank…whatever your goal is that requires eyes on your work, there is no getting around the fact that you must learn how to market your book (or hire someone to do it for you).
**A note on hiring people to market your work: yeah, that’s what I do for a living, so it’s in my best interests to say ‘Hire me!” but I’m not going to do that. That’s not the purpose of this post. The purpose of this post is to tell you that you can learn how to do much of this yourself by reading my posts and the experts I mention here. Only you know your work intimately.
If you can’t, then yeah, hire me or someone like me who’s been there and done it. Don’t hire someone off Fiverr whom you don’t know, or who will promise you 25K fake followers to falsely inflate your numbers. Get a personal recommendation and ask for references.**
Work smart and you will reach your goals, whatever they may be!
For a more detailed plan on developing your book marketing, purchase Rachel’s new book, The BadRedhead Media 30-Day Book Marketing Challenge now on Amazon!
Already a 5-Star Reader’s Favorite!
Rachel Thompson is the author of newly released BadRedhead Media 30-Day Book Marketing Challenge: How to energize your book sales in a month - created to help authors market their book. She is also the author of Broken Places (one of IndieReader's "Best of 2015" top books and 2015 Honorable Mention Winner in the San Francisco Book Festival), and the multi award-winning Broken Pieces, as well as two additional humor books, A Walk In The Snark and Mancode: Exposed. She owns BadRedhead Media, creating effective social media and book marketing campaigns for authors. Her articles appear regularly in The Huffington Post, IndieReader.com, The San Francisco Book Review (BadRedhead Says…), 12Most.com, BookPromotion.com, and Self-Publishers Monthly. Not just an advocate for sexual abuse survivors, Rachel is the creator and founder of the hashtag phenomenon #MondayBlogs and two live Twitter chats: #BookMarketingChat (co-hosted with TheRuralVA, Emilie Rabitoy) and #SexAbuseChat, co-hosted with C. Streetlights and Judith Staff. She hates walks in the rain, running out of coffee, and coconut. She lives in California with her family.
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.